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STEM Faculty

Meet the people who make up STEM Faculty.

Robin Laney

Robin Laney

Professor Of Computational Musicology

computing-and-communications

Professional biography

Robin is a Professor of Computational Musicology at the Open University. He has a BSc. in Micro-computers and Applications from Westfield College, University of London, and a PhD. In Computer Science from King’s College, University of London.

Robin is a Senior Fellow of the Higher Education Academy and a Fellow of the Royal Society of Arts. He pursues an active programme of public engagement, largely through Speakers for Schools, but is also happy to consider direct invitations.

Research interests

Robin has a background in software engineering, but much of his work is in Music Computing. He is interested in how music works and why it is so significant as a human activity.  His team is exploring this through two approaches:

1) Computational Musicology - What can pattern matching and statistical approaches tell us about the content of music?

2) Human-AI Collaborative Systems that allow mixed-ability groups to make music in a meaningful and intentional manner.

An overview of some of his work on AI, music and creativity can be found here:

https://www.youtube.com/watch?v=7m3Pd6FOx6Y

A short video on Open Melody, a human-AI collaborative creative music tool his team has produced, can be found here: 

https://ordo.open.ac.uk/articles/media/Demo_of_Open_Melody/13100039

The tool is available as a Web app here:

https://openmelody.co.uk/OpenMelody.htm

A similar piece of software as a Processing sketch, is freely available at:

https://doi.org/10.21954/ou.rd.13079081

Robin is a core member of the AHRC-funded research network Datasounds, datasets and datasense: Unboxing the hidden layers between musical data, knowledge and creativity.

Robin has supervised 17 PhD students to successful completion, both in Software Engineering and various topics within Music Computing. He is always keen to hear from perspective PhD students, whether for full or part-time distance study. More generally, he is happy to answer any questions on his research, whether from academics or the general public.

Teaching interests

Robin was production chair of M363, a level 3 course in software engineering, where he took a new approach to teaching software requirements and introduced a strongly case-study based pedagogy. His more recent involvement is with TM112 Introduction to Computing and IT 2, where with colleagues he revised the OU's approach to teaching programming so that problem-solving is foregrounded over syntax.

Impact and engagement

Robin is active in public engagement, largely through Speakers for Schools, but is also happy to consider direct invitations.

Other engagement includes activities on stands at:

External collaborations

Robin is co-editor of the Journal of Creactive Music Systems.

He is a Fellow of the Royal Society of Arts.

Latest publications

Displaying 10 of 105 publications

  • Bolzoni, A., Willis, A., Sharp, D., Linson, A. and Laney, R., 2023, ‘Bringing Timbral Shapes to Interactive Music Systems’, in CHIME One Day Workshop 2023, 4 Dec 2023, The Open University, Milton Keynes., https://oro.open.ac.uk/98023/.
  • Andrea, F. and Laney, R., 2021, ‘Sketching music together: Mixed groups exploring melodic similarity and contrast using a digital tabletop’, Journal of Music, Technology & Education, 14(2&3), pp. 179–207., https://oro.open.ac.uk/101155/.
  • Bolzoni, A., Di Donato, B. and Laney, R., 2021, ‘tiNNbre: a timbre-based musical agent’, in Nordic SMC 2021: The 2nd Nordic Sound and Music Conference, 11-12 Nov 2021, Online., https://oro.open.ac.uk/79775/.
  • Franceschini, A., Laney, R. and Dobbyn, C., 2020, ‘Sketching Music: exploring melodic similarity and contrast using a Digital Tabletop’, Journal of Music, Technology and Education, 13(1), pp. 5–31., https://oro.open.ac.uk/72752/.
  • Whorley, R. and Laney, R., 2020, ‘Generating Subjects for Pieces in the Style of Bach’s Two-Part Inventions’, in The 2020 Joint Conference on AI Music Creativity, 19-23 Oct 2020, Royal Institute of Technology (KTH), Stockholm, Sweden [On-line]., https://oro.open.ac.uk/72735/.
  • Ruiz-Marcos, G., Willis, A. and Laney, R., 2020, ‘Automatically calculating tonal tension’, in The 2020 Joint Conference on AI Music Creativity, 19-23 Oct 2020, Royal Institute of Technology (KTH), Stockholm, Sweden [On-line]., https://oro.open.ac.uk/72732/.
  • Piwek, P., Wermelinger, M., Laney, R. and Walker, R., 2019, ‘Learning to program: from problems to code’, in Third Conference in Computing Education Practice (CEP), 9 Jan 2019, Durham, UK., https://oro.open.ac.uk/58202/.
  • Bell, S., Benatti, F., Edwards, N. R., Laney, R., Morse, D. R., Piccolo, L. and Zanetti, O., 2018, ‘Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design’, Systemic Practice and Action Research, 31(1), pp. 27–53., https://oro.open.ac.uk/49454/.
  • Buys, K., Sharp, D. and Laney, R., 2017, ‘Developing and evaluating a hybrid wind instrument’, Acta Acustica united with Acustica, 103(5), pp. 830–846., https://oro.open.ac.uk/50853/.
  • Buys, K., Sharp, D. and Laney, R., 2017, ‘Development of a hybrid wind instrument—Some key findings’, in Acoustics '17 Boston, 25-29 Jun 2017, Boston, MA, USA., https://oro.open.ac.uk/50855/.