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Latest staff publications > Displaying [1–20 of 105]

  • Bolzoni, A., Willis, A., Sharp, D., Linson, A. and Laney, R., 2023, ‘Bringing Timbral Shapes to Interactive Music Systems’, in CHIME One Day Workshop 2023, 4 Dec 2023, The Open University, Milton Keynes., https://oro.open.ac.uk/98023/.
  • Andrea, F. and Laney, R., 2021, ‘Sketching music together: Mixed groups exploring melodic similarity and contrast using a digital tabletop’, Journal of Music, Technology & Education, 14(2&3), pp. 179–207., https://oro.open.ac.uk/101155/.
  • Bolzoni, A., Di Donato, B. and Laney, R., 2021, ‘tiNNbre: a timbre-based musical agent’, in Nordic SMC 2021: The 2nd Nordic Sound and Music Conference, 11-12 Nov 2021, Online., https://oro.open.ac.uk/79775/.
  • Franceschini, A., Laney, R. and Dobbyn, C., 2020, ‘Sketching Music: exploring melodic similarity and contrast using a Digital Tabletop’, Journal of Music, Technology and Education, 13(1), pp. 5–31., https://oro.open.ac.uk/72752/.
  • Whorley, R. and Laney, R., 2020, ‘Generating Subjects for Pieces in the Style of Bach’s Two-Part Inventions’, in The 2020 Joint Conference on AI Music Creativity, 19-23 Oct 2020, Royal Institute of Technology (KTH), Stockholm, Sweden [On-line]., https://oro.open.ac.uk/72735/.
  • Ruiz-Marcos, G., Willis, A. and Laney, R., 2020, ‘Automatically calculating tonal tension’, in The 2020 Joint Conference on AI Music Creativity, 19-23 Oct 2020, Royal Institute of Technology (KTH), Stockholm, Sweden [On-line]., https://oro.open.ac.uk/72732/.
  • Piwek, P., Wermelinger, M., Laney, R. and Walker, R., 2019, ‘Learning to program: from problems to code’, in Third Conference in Computing Education Practice (CEP), 9 Jan 2019, Durham, UK., https://oro.open.ac.uk/58202/.
  • Bell, S., Benatti, F., Edwards, N. R., Laney, R., Morse, D. R., Piccolo, L. and Zanetti, O., 2018, ‘Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design’, Systemic Practice and Action Research, 31(1), pp. 27–53., https://oro.open.ac.uk/49454/.
  • Buys, K., Sharp, D. and Laney, R., 2017, ‘Developing and evaluating a hybrid wind instrument’, Acta Acustica united with Acustica, 103(5), pp. 830–846., https://oro.open.ac.uk/50853/.
  • Buys, K., Sharp, D. and Laney, R., 2017, ‘Development of a hybrid wind instrument—Some key findings’, in Acoustics '17 Boston, 25-29 Jun 2017, Boston, MA, USA., https://oro.open.ac.uk/50855/.
  • Collins, T. and Laney, R., 2017, ‘Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure’, Journal of Creative Music Systems, 1(2), https://oro.open.ac.uk/49274/.
  • Daquino, M., Daga, E., d'Aquin, M., Gangemi, A., Holland, S., Laney, R., Penuela, A. M. and Mulholland, P., 2017, ‘Characterizing the Landscape of Musical Data on the Web: State of the Art and Challenges’, in Second Workshop on Humanities in the Semantic Web - WHiSe II, 21-25 Oct 2017, Vienna, Austria., https://oro.open.ac.uk/51570/.
  • Milne, A. J., Laney, R. and Sharp, D. B., 2016, ‘Testing a Spectral Model of Tonal Affinity with Microtonal Melodies and Inharmonic Spectra’, Musicae Scientiae, 20(4), pp. 465–494., https://oro.open.ac.uk/45950/.
  • Buys, K., Sharp, D. and Laney, R., 2016, ‘Improving the stability of a hybrid wind instrument using two microphones’, in International Symposium on Musical and Room Acoustics (ISMRA 2016), 11-13 Sep 2016., https://oro.open.ac.uk/47417/.
  • Buys, K., Sharp, D. and Laney, R., 2016, ‘[Research Dataset Record]’, https://oro.open.ac.uk/47085/.
  • Xambó, A., Hornecker, E., Marshall, P., Jorda, S., Dobbyn, C. and Laney, R., 2016, ‘Exploring Social Interaction With a Tangible Music Interface’, Interacting with Computers, 29(2), pp. 248–270., https://oro.open.ac.uk/46945/.
  • Collins, T., Laney, R., Willis, A. and Garthwaite, P. H., 2016, ‘Developing and evaluating computational models of musical style’, Artificial Intelligence for Engineering Design, Analysis and Manufacturing, 30(01), pp. 16–43., https://oro.open.ac.uk/46071/.
  • Buys, K., Sharp, D. and Laney, R., 2015, ‘A comparison of single-reed and bowed-string excitations of a hybrid wind instrument’, in 3rd Vienna Talk on Music Acoustics (Vienna Talk 2015), 16-19 Sep 2015, Vienna, Austria., https://oro.open.ac.uk/44711/.
  • Laney, R., Samuels, R. and Capulet, E., 2015, ‘Cross entropy as a measure of musical contrast’, in 5th International Conference, MCM 2015, 22-25 Jun 2015, London, UK,., https://oro.open.ac.uk/43681/.
  • Milne, A., Laney, R. and Sharp, D., 2015, ‘A spectral pitch class model of the probe tone data and scalic tonality’, Music Perception, 32(4), pp. 364–393., https://oro.open.ac.uk/42387/.